Mest set Fra Tenjo Sajiki
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1977
Film
The Woman with Two Heads
The Woman with Two Heads5.00 1977 HD
As a family goes on with their day, the shadows on their walls lead a completely different life.
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1975
Film
The Trial
The Trial4.80 1975 HD
An experimental short featuring people and nails.
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1977
Film
The Eraser
The Eraser4.30 1977 HD
Visions of characters by the seaside from one's memory are erased by the filmmaker's hand.
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1983
Film
La Marie-vison
La Marie-vison1 1983 HD
"La Marie-Vison" tells the perversely fascinating tale of Marie, a transvestite prostitute who lives in elegant squalor with her dedicated servant....
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1975
Film
Smallpox Tale
Smallpox Tale2.00 1975 HD
The smallpox virus has created its own unique atmosphere in Terayama’s film where the skin of a bandaged adolescent and the surface of the...
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1978
Film
Directions to Servants
Directions to Servants1 1978 HD
A man claiming to be the heir of an estate in northern japan finds himself at the doors of his mansion, only to find it overrun by servants and maids...
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1983
Film
The Hunchback of Aomori
The Hunchback of Aomori1 1983 HD
This is Shuji Terayama memorial performance of The Hunchback of Aomori from 1983 (featuring Akihiro Miwa). Terayama gathered dwarfs, circus freaks,...
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1983
Film
The Lemmings
The Lemmings1 1983 HD
This second version of the play follows Wan and Tsu, two apprentice cooks who, as they eavesdrop on their neighbors one day, are shocked by the...
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1977
Film
The Reading Machine
The Reading Machine3.00 1977 HD
In this Borgesian satire on knowledge and technology, bibliophilic desire leads to the construction of a pedal-powered reading machine. Resembling a...
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1981
Film
100 Years of Solitude
100 Years of Solitude1 1981 HD
This sumptuous-yet-austere liberal re-working of Cien años de soledad by Gabriel García Márquez, arranged on a five-part stage...
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1978
Film
An Attempt to Describe the Measure of a Man
An Attempt to Describe the Measure of a Man1.00 1978 HD
Using bluescreen video techniques, Terayama playfully—and with a silent film theatricality—posits a series of postmodern vignettes...